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  Photography by Phillip Ennis

Feature: The View from the Top

Deirdre Mendoza

March 1, 2006

When an adventurous couple in the fashion industry decided to downsize from their sprawling seven-room flat in New York’s Central Park West, they opted for loft living in a relatively undiscovered section of town: Manhattan’s garment district. With the help of their longtime friend, designer Sam Botero, they transformed a raw space with exposed plumbing into a plush-yet-cozy pied-à-terre with striking views of the Manhattan skyline.

“It was difficult leaving that much room and moving into what seemed at the time like a small space,” says Donna Annunziata, Botero’s client, who owns the successful women’s sportswear label, Donna Morgan. “Even though we had the advantage of being able to walk to work in the morning, it was hard to imagine having our kitchen, living room and dining room all in one area.”


Eastern iconography mingles with high-shine modernism in this New York loft. All photography by Phillip Ennis. www.phillipennis.com (Click image to enlarge)

Botero understood that the loft’s innately modern aesthetic would be a departure for Donna and her husband, Patrick Annunziata, a fabric importer. The couple met Botero in New York in 1980, and their friendship was forged over two decades; Botero designed their Upper West Side digs and drafted plans for the couple’s 18th-century farmhouse in Massachusetts.


Top photo: Stainless steel cabinetry by Varenna creates storage in the kitchen. Bottom photo: A stone sink purchased from Ottoman Treasures in the master bath. (Click images to enlarge)


The designer began the loft’s transformation from the ground up, bringing in turn-of-the-century wood plank floors, which were stained a rich walnut color to accentuate the grain of the wood and its charming imperfections. The flooring became a well-trafficked design centerpiece for the space, and contrasted dramatically with the entrance walls, rubbed in a warm beige tone, and the 14-foot ceilings, painted a pale peach (Manhattan’s Alpha Workshops treated the loft’s walls). “Donna thought that her husband might perceive the ceiling color as being a bit too feminine,” says Botero, “so we jokingly referred to this ephemeral color as ‘gladiator pink.’” The warm mood was maintained with a balance of low lighting and track lighting by designer Lana Lenar at New York’s ZeroLux.

To accommodate both entertaining and privacy in the smaller living space, Botero devised seamless transitions between the living room, kitchen and bedroom. The designer installed a floating wall–which serves as a focal point in the living room–and painted it a dark brown to simulate the look and feel of leather. The unit is flanked by sliding peach-tinted glass doors that grant passage into the master bedroom.

The living room area features two silk velvet sofas on each side of a rusted steel-base table with a detachable glass top designed by Botero. Louis XV chairs in pewter-colored leather and an Anglo-Indian chaise longue covered in silk taffeta provide additional seating. Details such as chain-link paneled doors covering the radiator (also designed by Botero) add to the Annunziatas’ eclectic mix of antiques, textures and collectibles, which include wood carvings, Japanese ceramics, an Indian mirror and Chinese boxes discovered during world travels.


An 18th-century portrait hangs over the Botero-designed bed, which is draped in a raccoon-fur throw. A Tahitian rain drum serves as a table. (Click image to enlarge)


A dining table that Botero designed seats six to eight and is covered in painted silver linen.  Though the Annunziatas recently sold the loft, they had often enjoyed quiet dinners or hosted friends and family with the iconic spire of the Empire State Building serving as a backdrop. On occasion, a table was added for larger parties, and guests were welcomed in the living room for hors d’oeuvres or dessert.
“People could hang out, or help themselves in the kitchen, and it always made for a very informal party,” says Donna. “Even with a catered event, where it was a little more formal, people could still move about the space; it was a really casual setting.”

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