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  Photograph copyright 2006 Edward Caldwell

Feature: Green Living

Joanne Furio

November 1, 2006

Some of the warm earth shades of the exterior are actually earth itself. The brown, stuccolike finish is created by a cement that contains soil from the site. The same material was also used indoors over the straw bales, an age-old yet highly insulating building method.


One corner reveals the straw-bale insulation. Photograph copyright 2006 Edward Caldwell. (Click image to enlarge)


Arkin managed to turn what was once an architectural liability—solar technology—into unobtrusive details that easily flow into the design. Photovoltaic panels, which gather the sun’s energy and convert it to electricity, were installed over a trellis. Below a terrace is the home’s water-heating system: glass panels that collect water and raise it to a temperature of up to 180 degrees.

Inside, the sleek interiors make no apologies for their sophisticated recycled materials. In the kitchen and master bath, reclaimed Douglas fir paneling from logs salvaged from river and lake bottoms adds warmth and dimension. Recycled glass appears on kitchen island countertops and in the master bath. Trespa, an eco-friendly material often used in labs because of its nonporous quality, tops the kitchen counters.

Perhaps most important to Johnson, all of the materials used are low VOC (volatile organic compounds), which means they emit low levels of hazardous chemicals. Johnson, now retired from Intel, realized that she had a chemical sensitivity early in her career while working as a chemist. “I feel healthier living in such a building,” she says. “It was really worth the effort. It’s like a haven.”

Arkin Tilt Architects, 510.528.9830, www.arkintilt.com

Paula Baker-Laporte
Developing sensitivity to many commonplace building materials drove Paula Baker-Laporte, a Tesuque, N.M., architect, to write her first book, Prescriptions for a Healthy House (New Society, 2001), with Dr. Erica Elliott, and to reform her architectural philosophy.


Architect Paula Baker-Laporte crafted a Southwestern-style green home for a couple in Tesuque, N.M. Photograph by Robert Reck. (Click image to enlarge)


“I realized I was just a small piece of a much larger picture, and I got really motivated to change my practice,” she says. “The answers lie in a holistic approach to human health and the built environment.”


The master bedroom is cooled naturally by sun-fired clay brick. Photograph by Robert Reck. (Click image to enlarge)


The 4,126-square-foot adobe home Baker-Laporte created for a London family in Tesuque is a testament to many of her ideals. The homeowners requested a traditional Santa Fe home made entirely of nontoxic natural and local materials, with healthy home-building methods. “They simply wanted as healthy a house as possible,” says Baker-Laporte. Fortunately, traditional adobe architecture requires relatively benign construction techniques. The walls, which provide passive heating and cooling, are made from sun-fired clay brick that is not stabilized with tar, a less toxic process. Inside, the walls are covered in a clay-based plaster from Santa Lucia. Nichos, or small niches cut into the walls, display statues or other works of art. Elegant archways and exposed wood abound. “Those soft, rounded, massive walls are typical of the vernacular here,” Baker-Laporte observes.


The courtyard. Photograph by Robert Reck. (Click image to enlarge)


In contrast to the geometrical shape of the inner courtyard, the home’s outer perimeter is organic, taking its shape, color and many of the materials—and its workforce—from the surroundings. “Local craftsmanship greatly reduces toxic manufacture,” says Baker-Laporte, “and creates high-quality employment that boosts the local economy.”

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