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Feature: A Clockwork Orange

Mark Rechtin

February 1, 2007

Even in jaded Los Angeles, a Lamborghini sighting is exciting. Longshoremen stumble in midsaunter. Road workers flip around their slow/stop sign to bring you to a halt. Big-rig drivers blast their horns. And plumbers in their work trucks playfully rev their diesels at red lights.
 
The brash Murciélago LP640 literally stops traffic, utterly unlike the general indifference reserved for a Ferrari. The roots of this scene-stealing presence date to 1963, when tractor maker Ferruccio Lamborghini presumed to challenge racing icon Enzo Ferrari. Nearly 50 years later, what constitutes the magnum opus of Italian design remains subjective. But for the hoi polloi there is no debate: They greet the divinely imperfect Murciélago, painted the glistening orange of a thousand shattered suns, with appreciative whole-body convulsions. In a sense, owning a Lamborghini Murciélago LP640 comes with a certain civic duty. That means answering lots of questions, responding to endless thumbs-up, and—yes—blasting away from countless stoplights. You must not disappoint your public.

The Murciélago drives angrily. Mash the throttle and the Lambo’s 640 horses rear up furiously, directly behind your head. The exhaust does not shriek of shredding newspaper like a Ferrari; instead, the 6.5-liter V-12 growls with a throaty bwooargh. Then there are the 15-inch ceramic brakes and ferocious decelerative g-forces. Yet threshold braking is entirely composed, even while traversing the rippling pavement of a desert racetrack on a blisteringly hot day.

The car may feature a balky, Stone Age manual transmission, but Audi’s stewardship of the Italian brand has meant an infusion of German precision at Sant’Agata Bolognese. Anyone who has enjoyed Audi’s brilliant DSG twin-clutch automatic transmission in the German automaker’s products will relish its application here. Called e-Gear in the Lamborghini, the paddle shifters mounted behind the steering wheel respond instantly with precise gear changes, even at breakneck speeds. Downshifts thrill with a hearty bark from the exhaust. Forget that purists demand a stick shift: The e-Gear is a superior product.

The Murciélago’s thundering Pirelli P Zero tires grip tenaciously. The suspension is predictable, the steering linear and logical. The learning curve is quick and easy,especially for a skilled driver. Driving the Murciélago at a more sedate pace proves a surprisingly pleasant experience: You can see out the back and sides of this exotic; the air-conditioning blows as cold as Chicago lake-effect snow; the engine burbles through rush hour without a hint of overheating. Cruising at 90 mph in top gear means a mere 3,200 rpm from the V-12, which sizzles like wildfire at any speed.


Driving a LP640 at the limit requires common sense. Doors scissored skyward, middle photo, the Lamborghini revels in its Countach heritage. (Click images to enlarge)

For all of Lamborghini’s we-don’t-race protestations, the Murciélago belongs on the racetrack. For three glorious hours at the California Speedway in Fontana, Lamborghini allowed a handful of journalists to thrash a squadra of Murciélagos. This car relishes being pushed at ten-tenths, back end slithering under acceleration, tires howling under cornering, and suspension compliantly compressing under hard braking. The punishing treatment retired several test models from the racetrack fleet. But, for the most part, the Murciélagos gave as good as they got.
 
That includes bouncing back from ham-fisted driving maneuvers. And, despite scads of electronic nannies, the Murciélago can get squirrelly. More than a couple Murciélago owners and journalists have seen the detritus of their $379,000 (including options) prize hauled away on a flatbed when their driving exceeded the laws of logic and physics. When might this happen? The Murciélago’s massive A-pillar obscures much of one’s vision on a tight left-hand sweeper. When driving a mountain road at high velocity, aiming left often results in a “clear or deer” split-second decision-making process. Lift the throttle midcorner, and you know the rest.

For all the German engineering that moved south of the Bavarian Alps, la màcchina has retained a certain, innate “Italianness.” The parking brake on the test model provided by Lamborghini Orange County required Merlin’s incantations to release. When the engine was cold, fuel starvation caused the vehicle to lurch embarrassingly or, worse, stall. And while there was adequate headroom for a six-footer, the compact footwell required the contortions of the damned.

Ah, Italy! Horn buttons mounted where the pads of your hands rest means that you ironically honk at yourself if you white-knuckle the wheel; seat belts pull from the center tunnel and latch at the pillar; and the indecipherable Kenwood audio system, its buttons the size of orzo, can hardly be coaxed into service. Also, reconsider acquiring this car if the approach to your residence is anything but paved and flat. Even with a suspension that hoists the car upward at low speed, the front spoiler still scrapes hideously across inclined pavement, drawing the kind of attention you would prefer not to have. Because turning heads—for the right reasons—is what a Murciélago is all about. This is not a car for the timid but for all-night partyers; this is a car for Richard Branson and the Pussycat Dolls.

Lamborghini, www.lamborghini.com

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