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  David Gooley

Abarth

Ray Thursby

April 1, 2005

Evidence that Italian sports cars come in all shapes and sizes, Carlo Abarth's creations belie their humble origins and diminutive size with high performance and style. (Click image to enlarge)

As monuments go, this one is rather small. Measuring just over 11 feet long, and light enough to be rocked about by a strong breeze, the Fiat Abarth “double bubble” lacks the substance of a granite statue, but there does not exist a more appropriate memorial to the passions and skills of Carlo Abarth. Thousands of cars have worn Abarth’s distinctive scorpion badge, but this one—tiny, stark, beautiful, and very fast—better represents the enduring image of the company and its guiding force than any other.


Introduced in 1955, the Abarth 207A (right) had an aluminum body by Boano. About 10 were made. The 1950 Abarth 205A with body by Vignale (left) is a singular rarity. (Click image to enlarge)


Understanding this car—and all Abarth automobiles, for that matter—requires some insight into Carlo Abarth the man. A thumbnail biography reveals superficial similarities to Enzo Ferrari: Both raced in their youth and remained involved in the sport throughout their lives; both were mildly superstitious (the Abarth badge represented his astrological sign); and both saw building high-performance cars as their destinies.

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